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NAMED A MOST ANTICIPATED BOOK OF 2025 BY PEOPLE, VOGUE, THE WASHINGTON POST, THE MILLIONS, AND NBC TODAYFrom the New York Times bestselling author of Mostly Dead Things, a sparkling and funny new novel of entertainment, ambition, art, and love."Sweet, sexy, sad, articulate, and funny." - Vogue"As much heart, humor, and gritty realness as can fit between two covers." - People"A funny and heartfelt tale of one woman grappling with grief, love and how to move forward.” - New York TimesCherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers.Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life, and has a slick, successful career to prove it. With Margot’s mentorship and industry connections, Cherry is sure to take her art to the next level. Plus, Margot is sexy as hell. It’s not long before Cherry must decide how much she’s willing to risk for Margot and for her own explosive new act—and what kind of clown she wants to be under her suit. Equal parts bravado, tenderness, and humor, and bursting with misfits, magicians, musicians, and mimes, Stop Me If You've Heard This One is a masterpiece of comedic fiction that asks big questions about art and performance, friendship and community, and the importance of timing in jokes and in life.

Stop Me If You've Heard This One: A Novel

One of Vanity Fair's Books That Will Get You Through This Winter “One of the most uniquely fun and campily gory books in my recent memory... A Certain Hunger has the voice of a hard-boiled detective novel, as if metaphor-happy Raymond Chandler handed the reins over to the sexed-up femme fatale and really let her fly." ―The New York Times Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy’s clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both. But there is something within Dorothy that’s different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority. A satire of early foodieism, a critique of how gender is defined, and a showcase of virtuoso storytelling, Chelsea G. Summers’ A Certain Hunger introduces us to the food world’s most charming psychopath and an exciting new voice in fiction.

A Certain Hunger

The celebrated New York Times BestsellerA Best Book of the Year pick at the New York Times, NPR, The New Yorker, TIME, Washington Post, Oprahmag.com, Thrillist, Shelf Awareness, Good Housekeeping and more.What does it take to come back to life? For Jessa-Lynn Morton, the question is not an abstract one. In the wake of her father’s suicide, Jessa has stepped up to manage his failing taxidermy business while the rest of the Morton family crumbles. Her mother starts sneaking into the taxidermy shop to make provocative animal art, while her brother, Milo, withdraws. And Brynn, Milo’s wife―and the only person Jessa’s ever been in love with―walks out without a word. It’s not until the Mortons reach a tipping point that a string of unexpected incidents begins to open up surprising possibilities and second chances. But will they be enough to salvage this family, to help them find their way back to one another? Kristen Arnett’s breakout bestseller is a darkly funny family portrait; a peculiar, bighearted look at love and loss and the ways we live through them together.

Mostly Dead Things

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE,  MARIE CLAIRE, READER'S DIGEST, AND GOOD HOUSEKEEPING“A gripping read…Unabashedly queer, probing and unafraid…Exceedingly engaging.” –USA Today “Sublimely weird, fluently paced, brazenly funny and gayer still, and it richly deserves to find readers.” –New York TimesFrom the author of the New York Times–bestselling sensation Mostly Dead Things: a surprising and moving story of two mothers, one difficult son, and the limitations of marriage, parenthood, and love If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife. As Samson grows from feral toddler to surly teenager, Sammie’s life begins to deteriorate into a mess of unruly behavior, and her struggle to create a picture-perfect queer family unravels. When her son’s hostility finally spills over into physical aggression, Sammie must confront her role in the mess—and the possibility that it will never be clean again.Blending the warmth and wit of Arnett’s breakout hit, Mostly Dead Things, with a candid take on queer family dynamics, With Teeth is a thought-provoking portrait of the delicate fabric of family—and the many ways it can be torn apart.

With Teeth: A Novel

NATIONAL BESTSELLER “An antidote to the loneliness of our species.”—ROBIN WALL KIMMERER“A master class in how to love the world.”—MARGARET RENKLA thrilling book about the abounding queerness of the natural world that challenges our expectations of what is normal, beautiful, and possible.Growing up, Patricia Ononiwu Kaishian felt most at home in the swamps and culverts near her house in the Hudson Valley. A child who frequently felt out of place, too much of one thing or not enough of another, she found acceptance in these settings, among other amphibious beings. In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her—and in them, too, she found a personal path to a life of science.In Forest Euphoria, Kaishian shows us this making of a scientist and introduces readers to the queerness of all the life around us. Fungal species, we learn, commonly encompass more than two biological sexes—and some as many as twenty-three thousand. Some intersex slugs mutually fire calcium carbonate “love darts” at each other during courtship. Glass eels are sexually undetermined until their last year of life, a mystery that scientists once dubbed “the eel question.” Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized—and they have lessons for us all.Wide-ranging, richly observant, and full of surprises, Forest Euphoria will open your eyes and change how you look at the world.

Forest Euphoria: The Abounding Queerness of Nature

From the 2022 TIME100 Next honoree and the activist who coined the term comes a primer on intersectional environmentalism for the next generation of activists looking to create meaningful, inclusive, and sustainable change. The Intersectional Environmentalist examines the inextricable link between environmentalism, racism, and privilege, and promotes awareness of the fundamental truth that we cannot save the planet without uplifting the voices of its people -- especially those most often unheard. Written by Leah Thomas, a prominent voice in the field and the activist who coined the term "Intersectional Environmentalism," this book is simultaneously a call to action, a guide to instigating change for all, and a pledge to work towards the empowerment of all people and the betterment of the planet.  Thomas shows how not only are Black, Indigenous and people of color unequally and unfairly impacted by environmental injustices, but she argues that the fight for the planet lies in tandem to the fight for civil rights; and in fact, that one cannot exist without the other. An essential read, this book addresses the most pressing issues that the people and our planet face, examines and dismantles privilege, and looks to the future as the voice of a movement that will define a generation.

The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet

2024 Stonewall Honor Award for Nonfiction. The future of Black, queer, and trans liberation explored by a legendary transgender elder and activist . Miss Major Griffin-Gracy is a veteran of the infamous Stonewall Riots, a former sex worker, and a transgender elder and activist who has survived Bellevue psychiatric hospital, Attica Prison, the HIV/AIDS crisis and a world that white supremacy has built. She has shared tips with other sex workers in the nascent drag ball scene of the late 1960s, and helped found one of America’s first needle exchange clinics from the back of her van.. Miss Major Speaks is both document of her brilliant life–told with intimacy, warmth and an undeniable levity-and a roadmap for the challenges black, brown, queer and trans youth will face on the path to liberation today.. Her incredible story of a life lived and a world survived becomes a conduit for larger questions about the riddle of collective liberation. For a younger generation, she warns about the traps of ‘representation,’ the politics of 'self-care,' and the frequent dead-ends of non-profit organizing; for all of us, she is a strike against those who would erase these histories of struggle.. Miss Major offers something that cannot be found elsewhere: an affirmation that our vision for freedom can and must be more expansive than those on offer by mainstream institutions.

Miss Major Speaks: Conversations with a Black Trans Revolutionary

If you’re writing about your life in real time, are you inherently fucked? Over the years that Chloé Caldwell had been married and hoping to conceive a child, she’d read everything she could find on infertility. But no memoir or message board reflected her experience; for one thing, most stories ended with in vitro fertilization, a baby, or both. She wanted to offer something different.Caldwell began a book. She imagined a selective journal about her experience coping with stasis and uncertainty. Is it time to quit coffee, find a new acupuncturist, get another blood test? Her questions extended to her job at a clothing boutique and to her teaching and writing practice. Why do people love equating publishing books with giving birth? What is the right amount of money to spend on pants or fertility treatments? How much trying is enough? She ignored the sense that something else in her life was wrong that was not on the page . . . until she extracted a confession from her husband.Broken by betrayal but freed from domesticity, Caldwell felt reawakened, to long-buried desires, to her queer identity, to pleasure and possibility. She kept writing, making sense of her new reality as it took shape. With the candor, irreverence, and heart that have made Caldwell’s work beloved, Trying intimately captures a self in a continuous process of becoming―and the mysterious ways that writing informs that process.

Trying: A Memoir

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture.Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

Mounted: On Horses, Blackness, and Liberation

A powerful, provocative, and genre-bending literary memoir that grapples with victimhood, recovery, and resilience In the before, Jesse James Rose is happy. She has a beautiful boyfriend with melty glacier eyes, she’s on a euphoric journey of gender exploration, and New York City is perfect. In the after, she’s single, making dinner for her grandfather, and wondering if he’s going to forget her name today. Except, in the before, her first-grade music teacher led her into a dark room to show her something he shouldn’t have. And in the after, she’s finding healing and comfort in coming into her own, even as her grandfather declines. In the before, she was fine, more or less. But in the after, she has to reckon with whatever the hell restorative justice really, truly means. Following the aftermath of an assault, and the heartache of caring for a grandfather with Alzheimer’s, sorry i keep crying during sex tells a captivating story of identity, recovery, grief, survivorship, and transness. Through lists, theatrical scripts, flashbacks, and Grindr DMs, Jesse James Rose’s genre-defying memoir is raw and hysterically funny, and takes readers on the wild ride of overcoming the struggles of a trans twentysomething.

sorry i keep crying during sex: a memoir

Sapph-Lit

Nina Haines

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Nina

Hi there! I’m Nina and I’m a freelance marketer, content creator, and writer currently working on her debut novel. I’m also the founder of Sapph-Lit, a sapphic book club & safe space where sapphic women and non-binary folks can read queer books, chat about life, ask for and offer support & celebrate their identities. Founded in May 2021, Sapph-Lit has grown to over 8,000 members from all around the world, and I’m so excited to join Bindery and expand Sapph-Lit into a community forward sapphic romance publishing imprint. Join us to help our mission of prioritizing sapphic representation in literature!